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Showing posts with label Reed Dance. Show all posts
Showing posts with label Reed Dance. Show all posts

Thursday, 28 August 2014

‘HUGE DROP IN NUMBERS AT REED DANCE’



At least 40,000 fewer young Swazi women are taking part in this year’s annual Umhlanga or Reed Dance ceremony than in 2013 if newspaper reports in Swaziland are correct.

Newspapers reported on Thursday (28 August 2014) that 80,000 young women, known as ‘Imbali’, had registered to take part in a series of ceremonies that end on Monday when they dance bare-breasted in front of King Mswati III.

But, last year the same newspapers in Swaziland reported 120,000 had taken part. In 2009, the Swazi Observer, a newspaper in effect owned by the King, put the number of women at 130,000.  

The Reed Dance is considered by traditionalists to be the most important event on the Swazi calendar. Unmarried Swazi women, called ‘maidens’, make their way through the Ezulwini Valley during a week of ceremonial activities culminating with a mass dance in front of the King.

The newspapers in Swaziland have not told their readers about the apparent steep decline in support for the Reed Dance. King Mswati rules the kingdom as sub-Saharan Africa’s last absolute monarch and most media are strictly controlled. Even, the independent Times of Swaziland newspapers do not criticise the King.

See also

SWAZI GIRLS FACE PUBLIC WHIPPING

Tuesday, 26 August 2014

SWAZI GIRLS FACE PUBLIC WHIPPING

Girls who do not turn up for King Mswati III at the forthcoming annual Umhlanga Reed Dance in Swaziland will be publicly whipped.

They have been told that if they travel to the event in which tens of thousands of bare-breasted girls dance in front of the King, but do not attended the ceremony, they will be beaten on the buttocks when they return to their homesteads in Mbilaneni.

Thami Thikazi, the headman of the Mbilaneni chiefdom, said if parents disagreed with the punishment they would be forced to wield the lash themselves.

The Swazi Observer, a newspaper in effect owned by King Mswati, reported Thikazi saying, ‘In case parents distance themselves from such, we are going to order them to be the ones administering the punishment in the form of strokes on the buttocks should it be found that they (girls) did something intolerable. The punishment will take place in full view of everyone.’

Tens of thousands of girls and young women known as ‘maidens’, from all over Swaziland attend the ceremony at Ludzidzini each year. It is billed as a tribute to the King and his mother, but in past years it has been noticed that many of the maidens do not attend the ceremony, preferring instead to go off to have fun with their friends.

More than 50 maidens from Mbilaneni have been chosen to attend the Reed Dance this year. Thikazi said in order to be chosen to represent the chiefdom they had to ‘be of good morals and upbringing.’

He added, ‘We therefore have to see to it that they face the music once they misbehave and parents should be ready to discipline.’

The sinister nature of the Reed Dance was revealed in 2012 when about 500 children were ordered to sing a song vilifying political parties. This was part of a clampdown on dissent in the kingdom, where King Mswati rules as sub-Saharan Africa’s last absolute monarch.
The children were taught a song to sing at the dance which had lyrics that when translated into English said political parties ‘set people against each other’ and said that if political parties were allowed to exist in the kingdom the king’s people ‘could start fighting each other’.
Political parties are banned in Swaziland, but there is increasing pressure from pro-democrats for this to change. Some traditional authorities also believe that support for the present system that puts them in control is on the wane. In Swaziland pro-democracy demonstrations have been attacked by police and state security forces.

This was not the only year in which children were compelled to sing the king’s praises. In 2009, the South Africa Press Association reported, ‘During the four-hour event, children sang songs which glorified Mswati and condemned his enemies.

‘“This land is your land our king, your enemies want to destroy you,” they sang.’

See also

CULTURAL REED DANCE TURNS POLITICAL
SWAZIS FORCED TO DANCE FOR KING

Tuesday, 3 September 2013

CULTURAL REED DANCE IS POLITICAL

The Reed Dance, billed as Swaziland’s foremost cultural days, proved to be anything but, when 120,000 half-naked maidens reportedly sang a song praising King Mswati III’s latest pronouncement about his continued rule over his kingdom.

They praised the King for announcing at the weekend that henceforth Swaziland would be a ‘Monarchical Democracy’. This is a new name for the already existing ‘Tinkhundla’ system that bans political parties from elections and puts all power in the hands of the king. 

The king said he had been told in a vision to make this change.

The song included these words (loosely translated from the original), ‘Your Majesty Swaziland is well governed through the Tinkhundla System of Democracy and will be victorious through it.’

The Times of Swaziland, the only independent daily newspaper in the kingdom, reported, ‘Royal Swaziland Police Superintendent Wendy Hleta who was the Master (sic) of Ceremonies together with Former Indvuna YeMbali Nothando Ntshangase noted that the maidens were seemingly pleased with the message conveyed by the new composition.’ 

Hleta told the newspaper, ‘Your Majesty, through this song the maidens are expressing their happiness of being governed through the Tinkhundla System of Monarchical Democracy.’

It is nothing new for participants in the Reed Dance, also known as Umhlanga, to sing anti-democracy songs.

Last year (2013), about 500 children were ordered to sing a song vilifying political parties. They were then ordered to return to their homes and teach the words to other girls in their chiefdoms. This was part of a clampdown on dissent in the kingdom, where the king rules as sub-Saharan Africa’s last absolute monarch. 

In 2009, the South Africa Press Association reported, ‘During the four-hour event, children sang songs which glorified Mswati and condemned his enemies.’

See also

BEWARE REED DANCE PROPAGANDA
SWAZIS FORCED TO DANCE FOR THE KING

Thursday, 1 August 2013

TYPICAL MONTH OF GREED IN SWAZILAND


Some of King Mswati III’s 13 wives and 100 or so of their closest friends set off on a vacation to Japan and Australia costing an estimated US$10 million this month (July 2013). Meanwhile, back in Swaziland reports on how poverty is crippling not only people’s bodies but also the kingdom’s economy were published across the world.

It was reported this month that Swazi diplomats lived the high life in New York. They stayed at the best hotels and shopped til they dropped, while attending the United Nations.

The bogus national election is drawing nearer amid allegations that voting registration was fixed to grossly exaggerate the number of people signed up to vote.

MPs say their phones have been bugged and their workshops infiltrated by state police.

Political instability is hitting the economy and government policies have been blamed for the high levels of hunger in the kingdom.

So, it was just another typical month in Swaziland. Swaziland: Striving for Freedom, Volume 7: July 2013 is the latest monthly digest of reports that first appeared on the Swazi media Commentary website in July 2013. It is available free of charge at www.scribd.com

Swazi Media Commentary has no physical base and is completely independent of any political faction and receives no income from any individual or organisation. People who contribute ideas or write for it do so as volunteers and receive no payment.

Swazi Media Commentary was on hiatus for most of the month of July, but is now back at work and will continue to be published online – updated most days – bringing information, comment and analysis

Swaziland Striving for Freedom Vol 7 July 2013

Monday, 29 July 2013

BEWARE REED DANCE PROPAGANDA

As Swaziland gets ready for the annual Umhlanga or Reed Dance Festival media across the world are falling for King Mswati III’s propaganda.

At the forefront are the travel media which report the Reed Dance as a colourful spectacle with a tradition going back centuries.

A typical example of the gushing hyperbole was published on the website Travel Video News on 24 July 2013. It reported, ‘[Y]oung women from all over Swaziland and beyond her borders converge on the royal residence in Ludzidzini for this momentous occasion’. They carry newly-cut reeds to protect the Queen Mother’s residence.

‘Residents of this tiny mountainous Kingdom are intensely proud of their deep culture and taking part in the Festival is a proud and privileged moment for all the family.’

It went on, ‘The Umhlanga Festival is a visual spectacle that bonds this small but perfectly formed nation. Its ever- increasing popularity defies the apparent decline of traditional cultures elsewhere in Africa. Witnessing this festival is a truly unique experience.’

The report was wrong in almost every detail, except for the undeniable fact that the Reed Dance takes place (it will be held in August or September: at the king’s pleasure.) The ceremony is not centuries old (it started under the present king’s reign) and the festival is far from a privileged moment for all the family.

The sinister nature of the Reed Dance was revealed last year (2012) when about 500 children were ordered to sing a song vilifying political parties. This was part of a clampdown on dissent in the kingdom, where King Mswati rules as sub-Saharan Africa’s last absolute monarch.

This children were taught a song to sing at the dance which had lyrics that when translated into English said political parties ‘set people against each other’ and said that if political parties were allowed to exist in the kingdom the king’s people ‘could start fighting each other’.

Political parties are banned in Swaziland, but ahead of this year’s national election there is increasing pressure from pro-democrats for this to change. Some traditional authorities also believe that support for the present system that puts them in control is on the wane. In Swaziland pro-democracy demonstrations have been attacked by police and state security forces.

Last year about 500 children were chosen from all 350 chiefdoms in Swaziland to attend rehearsals at Ludzidzini Royal Residence and the Correctional Services Institution in Matsapha to learn the song. They were then ordered to return to their homes and teach the words to other girls in their chiefdoms.

Lobayeni Dlamini, who worked with the girls (usually referred to as ‘maidens’) on the song told the Times of Swaziland, there were fewer people who stood up to defend the present political system in Swaziland and therefore there was a strong need to send a message.

This was not the only year in which children were compelled to sing the king’s praises. In 2009, the South Africa Press Association reported, ‘During the four-hour event, children sang songs which glorified Mswati and condemned his enemies.

‘“This land is your land our king, your enemies want to destroy you,” they sang.
’

Observers inside Swaziland also doubt that the girls who are expected to dance half-naked in front of the king do not choose to attend of their own free will. The chiefs in the rural areas where they live require them to attend and the girls’ families can be victimised if they do not go.

Musa Hlophe, a regular columnist for the Times of Swaziland, one of the few newspapers in the kingdom not owned by King Mswati, commented after one Reed Dance that many of the girls who attended went because it was their only chance to get a decent meal.

Hlophe wrote, ‘Judging from the appearances of these dancing girls, one may be fooled into thinking all is well in the kingdom of Eswatini [Swaziland].

‘What will be hidden to the unsuspecting outsider is that most of these girls will have had a balanced meal while at the Reed Dance. That most of these girls (about 80 per cent of them) come from families who are among the 500,000 people who survive on food aid [out of a population of about 1.3 million]. After all the glamour of this week’s events, these girls return to grinding poverty by Tuesday or Wednesday or whenever their masters feel they are now disposable, having fulfilled their responsibilities to our rulers and their visitors.

‘What the unsuspecting visitors do not know is that Swaziland is a country in serious crisis. It is said we are still number one in the world, with the highest HIV prevalence rates, notwithstanding the slight reduction, We are a country with diminishing opportunities for foreign direct investments, with 70 per cent of the country’s population living on less than one dollar a day.

‘Further compounded by one of the severest drought in living memory, Swaziland would not be expected to be celebrating the way it seems to be just now. The hundreds of trucks ferrying the thousands of girls to Ludzidzini could have been used to deliver the much needed water and foodstuff to the starving population.

‘But who counts in Swaziland are the people among the ruling elite. In Swaziland, the poor have no rights or needs of their own. The ruling elite will now and again run charities for the poor and elderly and the poor take these as some form of generosity by their masters.’

In 2009, the Swazi Observer, a newspaper in effect owned by the king, reported that special security squads had to be formed to ensure that the girls attended the Reed Dance ceremony. It transpired that they took the trip from their villages, but instead of dancing before the king they chose to spend their time in other pursuits.

Nothando Nhlengethwa, one of the people in charge of the maidens, told the newspaper, security forces checked up on the maidens. Each chiefdom had been told to supply a list of the names of those who leave the villages to attend. This list was then checked on a daily basis to ensure that the girls did in fact arrive at the reed dance and participated fully.

See also

REED DANCE LONE VOICE FROM HOME
SWAZIS FORCED TO DANCE FOR THE KING

Monday, 3 June 2013

KING’S MAN WHO WHIPPED VIRGINS DIES

One of Swaziland’s most senior traditionalists Ntfonjeni Dlamini, who once made international news for whipping virgins, has died.

The Times Sunday newspaper in Swaziland said he reportedly died of tuberculosis, aged 65, but cast doubts on whether this was true by stating,  ‘It was not immediately clear how he could have died of TB, as it is a curable disease.’

Ntfonjeni Dlamini was the overseer of the Imbali maiden’s regiment. This is the group of young women, supposedly virgins, who parade semi naked before King Mswati III at the kingdom’s annual Reed Dance.

Ntfonjeni is survived by three wives and 34 children with the youngest aged eight.

His family described him as a disciplinarian. ‘He would beat us each time we strayed. He never hesitated to discipline us, no matter our age,’ one of his son’s, Lusaseni, told the newspaper.

The Times Sunday reported that Ntfonjeni Dlamini’s reign as overseer of the Imbali maidens’ regiment was characterised by controversy.

‘He was known for being a strict disciplinarian but the kingdom’s authorities retained him,’ the newspaper reported.

‘His reputation attracted a lot of criticism both locally and internationally when he hit [King Mswati’s eldest daughter] Princess Sikhanyiso, the leader of Imbali maidens after he stumbled across her at a party, hosted by the then 17-year-old that featured loud music during the Reed Dance activities in 2005.’

It added, ‘Unimpressed with what he saw, Ntfonjeni whipped the princess with a stick as she fled.’

It went on, ‘His act was widely criticised and condemned by both local and international children’s rights organisations.

‘Dr Allen Brody, then Country Representative of the United Nations Children’s Fund (UNICEF) was among those who condemned it and said it was child abuse.

The newspaper reported, ‘However, his act was lauded by traditionalists such as Prince Jahamnyama who said Princess Sikhanyiso received what she had bargained for by turning such an important event (the Reed Dance) into a social gathering.

‘As he lived up to his reputation of being a disciplinarian in the ensuing years, on September 3, 2007 he assaulted a group of maidens with a stick resulting in two of them being rushed to the Lobamba Clinic.

‘The girls were Nokulunga Mamba and Calisile Tfwala of Mzimnene.
‘They could not dance before Their Majesties as they were seriously injured after the beating.

‘Mamba and Tfwala were not the only maidens who were beaten as four others were also involved but were lucky not to sustain serious injuries,’ the newspaper reported.

Swazi Media Commentary (SMC) reported on Ntfonjeni Dlamini and the Reed Dance whipping controversy in 2007. Not only were women whipped but men also.

The traditional authorities who were given the responsibility of supervising the ‘maidens’ systematically detained and whipped at least 27 young men who were caught at night trying to get close to the young women. 

The whippings were not isolated incidents, taking place over at least two days. ‘So we must assume that the detention and whipping of unwelcome visitors was an agreed method of discipline among those tasked with supervising the maidens,’ SMC reported.

Muzi Dlamini, one of the men responsible for supervising the maidens, said at the time that the men were taken to a small tent. ‘They were beaten with sjamboks and sticks. We were disciplining them and I must say they deserved such a punishment.’

In September 2007, the Times of Swaziland, a companion paper of the Times Sunday, reported that Ntfonjeni Dlamini, assaulted a group of maidens with a stick. He hurt two of them so badly, the Times reported, that they had to go to Lobamba Clinic, where one of them was treated for injuries to her right leg and bruises all over her body. The other was reported to have bruises all over her body and was bleeding on her back.

The Times reported four other ‘maidens’ were also thrashed, but were not as badly injured. 

The Times later said that the two women had reported Ntfonjeni Dlamini to the police. 

In an editorial comment, the Times said, ‘Ntfonjeni Dlamini … seems to believe he holds the right to beat up anybody’s child for no apparent reason.’ It called on ‘traditional authorities’ to take strong action against the blemishing of the Reed Dance, which it described as a ‘colourful event’ and an opportunity for Swaziland to make a bit of money from tourists.

The Times also gave an account of eight stabbings in isolated incidents at the Reed Dance. The newspaper reported that those stabbed were involved in brawls over ‘girls’.

Swazi Media Commentary at the time commented, ‘There are two themes that emerge from these stories that deserve further consideration from the Swazi media.

‘The first is the role of those in “traditional” authority and the way they are allowed to ignore the law. The Times in its editorial comment cast doubt on whether anything would be done about Ntfonjeni Dlamini and we might assume this is because in Swaziland the ruling elite relies on the upholding of Swazi traditions for their power. 

‘A legal system that places a person’s human rights at its centre would not tolerate “Swazi custom” for one moment.

‘The second is the general attitude of Swazi society to its women. Many see the annual Reed Dance as an event that cements Swazi culture, but others with a more modern outlook, believe it to be outdated and some say the Reed Dance, is old fashioned and makes a mockery of women, as it has become little more than a showcase for the king to choose a new bride.’
  
See also

REED DANCE – DARK SWAZI CULTURE

Tuesday, 11 September 2012

STATE TV AIRS CRITICAL REPORT ON KING



Two journalists at the state-censored Swazi TV were suspended from work for allowing an unauthorised item about King Mswati III to appear in a news bulletin.

It concerned the traditional Umhlamga Reed Dance that took place last week. A news report about the event sourced from Channel France International (CFI) did not give the king enough respect, according to Swazi TV bosses. The report mentioned the fact that sometimes the king uses the Reed Dance to find himself a wife from the tens of thousands of semi-naked women and girls, some as young as nine years old, who dance in front of him.

The media in Swaziland, where King Mswati rules as sub-Saharan Africa’s last absolute monarch, are highly censored when reporting the king and his large royal family – he has at least 13 wives, but the exact number is not officially known as this is considered information Swazi people are not allowed to know. Media reports in Swaziland of the Reed Dance generally concentrate on the large number (often exaggerated) of ‘maidens’ who dance for the king and how privileged and excited they are to be taking  part in the event.

The CFI report that aired on Swazi TV said the king used the Reed Dance to find a wife and said that the Reed Dance was not only about culture. This year’s dance was controversial because the ‘maidens’ were required to sing songs against political parties which are banned in Swaziland.

The CFI report on the Reed Dance was similar to many circulating in the international media that drew attention to the abject poverty of the king’s subject and his own personal wealth, estimated by Forbes to be about US$200 million. They also talked about human rights abuses in the kingdom.

Vusi Gamedze, the acting Assistant News Editor of Swazi TV and an Avid editor Ernest Mabaso, were suspended from work for 14 days after being accused of ‘gross negligence’, for allowing the CFI report to air, but the Times of Swaziland newspaper reported today (11 September 2012) the ban had been lifted prematurely and the pair were back at work. 

This is not the first time there has been controversy in Swaziland over broadcast reports from foreign stations. In March 2011 the BBC World Service programme Focus on Africa that airs daily on state-controlled SBIS radio was taken off for several days after it ran an item that included interviews with people critical of King Mswati.


See also


CULTURAL REED DANCE TURNS POLITICAL

Monday, 27 August 2012

CULTURAL REED DANCE TURNS POLITICAL


Children attending Swaziland’s Reed Dance next week are to be ordered to sing a song vilifying political parties as part of a clampdown on dissent in the kingdom, where King Mswati III rules as sub-Saharan Africa’s last absolute monarch.

This is believed to be the first time that maidens in the Reed Dance have been used in this way.

The Reed Dance is usually described as one of Swaziland’s main cultural events at which ‘maidens’ dance (often semi-naked) before the king. In past years as many as 100,000 maidens, many as young as nine-years-old, have taken part in the dance. King Mwsati, who has 13 wives, has been known to use the event to choose himself an additional bride.

This year the maidens are being taught a song to sing at the dance which says political parties ‘set people against each other’ and claims that with parties the king’s people ‘could start fighting each other’.

Political parties are banned in Swaziland, but ahead of next year’s national election there is increasing pressure from pro-democrats for this to change. Some traditional authorities also believe that support for the present system that puts them in control is on the wane. In Swaziland pro-democracy demonstrations have been attacked by police and state security forces.

About 500 maidens were chosen from all 350 chiefdoms in Swaziland to attend rehearsals at Ludzidzini Royal Residence and the Correctional Services Institution in Matsapha to learn the song. They have been ordered to return to their homes and teach the words to other girls in their chiefdoms.

The Times Sunday, one of the few media voices in Swaziland independent of the king’s control, reported the song was composed by traditional authorities solely to be sung before the king the Reed Dance ceremony on Monday (3 September 2012).

The newspaper reported that traditional authorities believed that in South Africa during the apartheid period the youth drove the struggle in that country’s politics and therefore the youth in Swaziland should be made to push the agenda against political parties.

Lobayeni Dlamini, who worked with the maidens on the song told the Times, there were fewer people who stood up to defend the present political system in Swaziland and therefore there was a strong need to send a message.

Nothando Ntshangase, a notably traditionalist with strong links to the Reed Dance, said, ‘Those who are still not conversant with the lyrics are being taught by the ones already inducted in the song. During the main day of the reed dance, all the maidens are expected to showcase their talent in song before Their Majesties.’

The Swaziland Solidarity Network, a pro-democracy group banned in Swaziland, said the song proved ‘Swazi children are being brainwashed’. It said it was ‘shocking as it exposes the blatant abuse of innocent children to further political ends’.

Friday, 23 September 2011

KING MSWATI ‘OUT OF STEP’

Time magazine

23 September 2011

SOURCE


How Swaziland’s King Mswati is out of step

By Alex Perry

In the week of Swaziland's annual Reed Dance, tens of thousands of virgin girls trek across the southern African kingdom to the Queen Mother's royal residence, Ludzidzini. On the banks of the Little Usutu River, just below the twin chutes of Matenga Falls, the women cut giant reeds into stacks and carry them to the matriarch's cattle corral to lean against the fence as symbolic fortification. The ceremony climaxes in a two-day parade in which the women sing and dance in phalanxes organized according to region. King Mswati III watches from his throne, wearing a leopard-skin loincloth and three scarlet feathers in his hair. Sometimes he uses the occasion to pick a new wife. He currently has 13.

The tourist literature for Swaziland, one of the southern hemisphere's smallest nations, describes the country as the "Switzerland of Africa," a land of noble tradition that is home to one of the world's oldest monarchies. The reality is rather different, and the Reed Dance is a case in point.

For all the color of the ceremony, Mswati's polygamy looks irresponsible next to what is today the world's worst HIV/AIDS epidemic: infection among pregnant women is 41%, Swazi life expectancy is down to 43 years, and 31% of Swazi children are orphans.

Likewise, the King's estimated $200 million fortune and Swaziland's overpaid bureaucracy, bloated with royal cronies, appear less than majestic alongside an unemployment rate of 43% and the fact that 63% of Swazis live on $2 a day or less.(Read "Swaziland: How Not to Be a Royal.")

As one of the world's last absolute monarchs, Mswati, 43, increasingly behaves more as a despot than as the caring father of a nation. He rules with emergency powers that grant him ultimate authority over the government, judiciary, army, police and legislature. Those who oppose him must tread carefully. When the leader of the People's United Democratic Movement (PUDEMO), Mario Masuku, suggests we meet at a secluded cafe on the outskirts of the capital, Mbabane, his caution is understandable. Masuku has spent several years in jail, accused of sedition and terrorism.

In 2008, Mswati's government banned Masuku's party, which proposes multiparty democracy and transparent government, and designated it a terrorist group. Scores of PUDEMO members report having been arrested and beaten by police. In May, police arrested a 37-year-old engineering student named Sipho Jele for wearing a PUDEMO T-shirt. He was later found hanged in a cell. The police claim he killed himself, but relatives and rights groups say bruising and other evidence points to murder. Amnesty International called Jele's death "deeply suspicious" and Swaziland a "benighted country [where] a feudal monarchy presides."

Masuku agrees that this dire human-rights record, plus Swaziland's poverty, its epidemic, its corruption and its paltry economic growth, are all the doing of one man. "To heal a disease, you have to look at the cause," he says. "And the cause is an undemocratic system that perpetuates bad governance, rampant corruption and an uncontrollably extravagant monarchy." (The palace didn't respond to my requests for an interview with the King.)

This year, Mswati's arrogance has reached spectacular new heights. In 2009, South Africa slipped briefly into recession and cut revenue to a southern African customs union on which Swaziland relied for two-thirds of its budget. Swaziland's budget deficit skyrocketed to 13% of GDP. Facing widespread calls to cut annual spending on the royal family, Mswati instead raised it by 24%, to $31 million - $8 million more than Swaziland's total annual HIV/AIDS funding. When 12,000 civil servants marched to protest wage freezes in March, Mswati chided them for their irresponsibility. "We need to work even harder and sacrifice even more today for a better tomorrow," he said.

The following month, when hundreds more demonstrators gathered in the city of Manzini to demand reform, Mswati sent in the heavies. Police fired water cannons, rubber bullets and tear gas at the protesters and beat and arrested dozens. Mswati's Prime Minister, Barnabas Dlamini, suggested to a Times of Swaziland reporter that the demonstrators' feet be beaten with spikes.

The International Monetary Fund has twice refused to make an emergency loan because Mswati failed to make spending cuts, particularly in the bureaucracy. The King seemed to have won a temporary reprieve in August when South Africa, fearful of another Zimbabwe- style economic collapse on its borders, agreed to a $350 million emergency loan. But Pretoria has not yet paid: the government there faces accusations from its trade-union allies that since the loan only vaguely commits Mswati to reform, South Africa would effectively be propping up a dictator.

Even if the South African money is made available, says Joannes Mongardini, the IMF's Swaziland mission leader, "the government will continue to face severe liquidity constraints." And that's not all that is confronting Mswati. The opposition is determined to keep up protests, with an increasingly antimonarchy flavor. After plunging Swaziland into a debt crisis, Mswati may now be facing another recent global phenomenon, one that has proved particularly perilous to North African tyrants: revolution.